{"id":1324,"date":"2024-11-28T09:36:01","date_gmt":"2024-11-28T08:36:01","guid":{"rendered":"https:\/\/novoscinemas.com\/ceres-2\/"},"modified":"2024-12-04T10:40:45","modified_gmt":"2024-12-04T09:40:45","slug":"ceres-2","status":"publish","type":"page","link":"https:\/\/novoscinemas.com\/en\/ceres-2\/","title":{"rendered":"Ceres"},"content":{"rendered":"
[vc_section full_width=”stretch_row_content”][vc_row full_width=”stretch_row_content_no_spaces”][vc_column]
\"\"<\/div><\/figure>[\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row”][vc_row el_class=”py-30 mt-60 mx-0 border font-euclidflex-medium”][vc_column]
11 DEC | 10:30h, Main Theater<\/span><\/div>[\/vc_column][\/vc_row][vc_row el_class=”py-60″][vc_column][vc_column_text css=”” el_class=”text-sm”]In tribute to agriculture and fertile crops, Ceres is born, a competitive section aimed at promoting works developed in film and audiovisual teaching and training centers in Spain and Portugal. Short films that explore various trends in contemporary cinema and audiovisuals, such as the validation of sense, perception, rhythm and matter as the guiding principles of cinema; the personal and imaginative approach to contemporary auteur cinema; the relationship between memory, family, cinema and exhibition practice; or the exploration of concepts such as \u2018limit\u2019 and \u2018threshold\u2019 from a perspective that hybridizes genres and aesthetics make up the Ceres section of the 09 edition of Novos Cinemas.[\/vc_column_text][\/vc_column][\/vc_row][vc_row column_spacing=”0px”][vc_column width=”1\/4″ el_class=”pr-15″]
Looking into the distance<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-bold pb-20″]Spain | 2024 | 7\u2019 | Colour | DCP[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-medium pb-20″]GALICIAN PREMIERE[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ el_class=”pl-15 pr-15″]
Configuraci\u00f3n de un umbral<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-bold pb-20″]Spain | 2024 | 9\u2019 | Colour | DCP[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-medium pb-20″]GALICIAN PREMIERE[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ el_class=”pl-15 pr-15″]
Gralla<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-bold pb-20″]Spain | 2024 | 17′ | Colour | DCP[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ el_class=”pl-15″]
Rostos de casa<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-bold pb-20″]Portugal | 2024 | 08\u2019 | Colour | DCP[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-medium pb-20″]SPANISH PREMIERE[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″]
\"\"<\/div><\/figure>[vc_column_text css=”” el_class=”font-euclidflex-medium py-30″]Looking into the distance<\/em> is a film recorded on the island of Lanzarote that focuses its narrative on the observation of the horizon.The film is structured around a series of camera movements (ascending and descending) and proposes different encounters between landscapes-frames, as well as a rhythmic progression that tries to exhaust all possible combinations until confusing what is below with what is above, the sky with the earth, the dark with the bright.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″]
\"\"<\/div><\/figure>[vc_column_text css=”” el_class=”font-euclidflex-medium py-30″]On the periphery, the city’s waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″]
\"\"<\/div><\/figure>[vc_column_text css=”” el_class=”font-euclidflex-medium py-30″]Years before the banquet of TARA, with the institution already established and in a world of increasingly corrupt morals, Gralla, a solitary priestess, embarks on a journey with her wandering confessional preaching a new form of forgiveness… until a mysterious man decides to challenge her.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″]
\"\"<\/div><\/figure>[vc_column_text css=”” el_class=”font-euclidflex-medium py-30″]In an empty house we see the memories of a home, from those who once lived and filled it with joy and love.[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section el_class=”mb-30″][vc_row][vc_column width=”1\/4″][vc_row_inner][vc_column_inner][vc_column_text css=”” el_class=”mb-30″]Photographer and film director with special interest in exploring the film m\u00e9dium, Marta Lara P\u00e9rez<\/strong> (Madrid, 1995) develops her artistic practice in natural environments and focuses her work on film and installation. Degree in Audiovisual Communication (UFV), Master of Author Photography (EFTI) and Master of Contemporary Audiovisual Creation and Practice (LAV). She has participated in group exhibitions such as Soy lo que me sucedi\u00f3 at EFTI (Madrid – 2022) or Frecuencias cr\u00edticas de fluctuaci\u00f3n at ACME (Madrid – 2024). Her work has been screened at festivals such as Diminuto – Festival Internacional de Cine M\u00ednimo (Mexico City – 2023), Begiradak Festival (Basque Country – 2023) or Cinespa\u00f1a (Toulouse), in collective film exhibitions such as Ultimate form at Artist Film Workshop (Melbourne – 2024) or at LIFT (Toronto – 2024) and institutions such as Cineteca de Matadero (Madrid – 2024).[\/vc_column_text]
\"\"<\/div><\/figure>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner][vc_column_text css=”” el_class=”mb-30″]Sandra del Moral Abolafia<\/strong> (Ja\u00e9n, 2001), Paolo Natale<\/strong> (Lorca,1997) and Daniel Rodr\u00edguez<\/strong> (Ourense, 1966) are three filmmakers recently graduated from the ECAM, where they specialized in Documentary Film within the same promotion. The joint journey began with the piece Configuraci\u00f3n de un Umbral<\/em>, the result of months of collective creative process, exploring common concerns of the filmography of each of the three. The hybridization of cinematographic codes, sensory narratives that aim to fully engage the viewer, cinema without actors… the film is born from these intentions and more.[\/vc_column_text]
\"\"<\/div><\/figure>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner][vc_column_text css=”” el_class=”mb-30″]Rebeca Tella<\/strong> (Ferrol, 2002) and Daniel Filloy<\/strong> (O Carballi\u00f1o, 2022), both graduated in Communication at the University of Vigo, work in different fields of artistic production, such as drawing, music or literature. In the audiovisual field, they have worked in multiple home and school pieces since their childhood, and they debut as co-directors with TARA<\/em>, a short film with which they have toured more than a dozen international festivals and with which they inaugurate the TARA UNIVERSE.[\/vc_column_text]
\"\"<\/div><\/figure>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner][vc_column_text css=”” el_class=”mb-30″]Sofia Afonso<\/strong> began her journey in cinema at Escola Art\u00edstica de Soares dos Reis, where she specialized in video. She interned at the production company Cimbalino Filmes, working on 6 short films, where she was in charge of publicity and production photography. She started her degree in Cinema at Escola Superior de Teatro e Cinema in 2021, where she made several films. Currently, she continues her Cinema degree at Escola das Artes da Universidade Cat\u00f3lica do Porto.[\/vc_column_text]
\"\"<\/div><\/figure>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section full_width=”stretch_row_content”][vc_row full_width=”stretch_row_content_no_spaces”][vc_column][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row”][vc_row el_class=”py-30 mt-60 mx-0 border font-euclidflex-medium”][vc_column][\/vc_column][\/vc_row][vc_row el_class=”py-60″][vc_column][vc_column_text css=”” el_class=”text-sm”]In tribute to agriculture and fertile crops, Ceres is born, a competitive section aimed at promoting works developed in film and audiovisual teaching and training centers in Spain and Portugal. Short films that explore various trends in contemporary cinema and audiovisuals, such as the…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1324","page","type-page","status-publish","hentry","entry","no-media"],"acf":[],"yoast_head":"\nCeres - Novos Cinemas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/novoscinemas.com\/en\/ceres-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ceres - Novos Cinemas\" \/>\n<meta property=\"og:description\" content=\"[vc_section full_width=”stretch_row_content”][vc_row full_width=”stretch_row_content_no_spaces”][vc_column][\/vc_column][\/vc_row][\/vc_section][vc_section full_width=”stretch_row”][vc_row el_class=”py-30 mt-60 mx-0 border font-euclidflex-medium”][vc_column][\/vc_column][\/vc_row][vc_row el_class=”py-60″][vc_column][vc_column_text css=”” el_class=”text-sm”]In tribute to agriculture and fertile crops, Ceres is born, a competitive section aimed at promoting works developed in film and audiovisual teaching and training centers in Spain and Portugal. 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