{"id":4818,"date":"2026-09-23T13:10:41","date_gmt":"2026-09-23T11:10:41","guid":{"rendered":"https:\/\/novoscinemas.com\/?page_id=4818"},"modified":"2026-11-03T11:05:26","modified_gmt":"2026-11-03T10:05:26","slug":"filmes-como-marismas","status":"publish","type":"page","link":"https:\/\/novoscinemas.com\/en\/filmes-como-marismas\/","title":{"rendered":"FILMES COMO MARISMAS"},"content":{"rendered":"
[vc_section full_width=”stretch_row” el_class=”mb-60″][vc_row full_width=”stretch_row_content_no_spaces” min_height=”700″ css=”.vc_custom_1790162897243{background-image: url(https:\/\/novoscinemas.com\/wp-content\/uploads\/2026\/09\/Foto-2025-Candela-Sotos_300-2.jpg?id=4784) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text css=”” el_class=”pl-40 pt-90 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Film workshop with Candela Sotos[\/vc_column_text][vc_column_text css=”” el_class=”mt-30 pl-40 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Filmes como marismas<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”mt-60 font-euclidflex-medium”][vc_column width=”1\/2″]
8 DEC | 16.30 h | Abanca Fundaci\u00f3n<\/span><\/div>[\/vc_column][vc_column width=”1\/2″]
FREE ENTRANCE<\/span><\/div>[\/vc_column][\/vc_row][vc_row el_class=”mt-60″][vc_column width=”1\/2″ el_class=”border-r pr-20 pl-0″]
INTRO<\/span><\/div>[vc_column_text css=””]Wetlands are transition zones between land and water. They don’t belong entirely to either of these two worlds: they are an intermediate space where currents slow down and the materials they carry can be transformed. This movement of water is a space of transformation where sediments, chemical compounds and traces of what happens in the landscape are collected. Then they are deposited, mixed, broken down and reorganised.<\/p>\n

Something similar happens with memory. Past events reach this intermediate territory between history and the present. Like the water entering the wetland, past events bring sediments with them: stories, documents, silences, conflicting versions. Memory does not forget; it retains and processes them as best it can. Sometimes it retains them subliminally and recounts them through explicit communication or silence.<\/p>\n

The workshop aims to delve into the stories, archives and narratives through the inherent paths of research, reflection, doubt and reorientation. We will take as our starting point a specific space that reinterprets and reframes the geographical, historical and natural context of Pontevedra: Marismas de Alba, a coastal marsh whose biodiversity stimulates the students’ creativity \u2014the evolution and transformations of the projects from the initial idea to their audiovisual realization\u2014 and encourages experimentation with the temporal and historical layers inherent to this unique place.<\/p>\n

In this context, ten students developed individual short-film projects that took shape throughout the various stages of this film workshop.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ el_class=”pl-20 pr-0″]

BIOGRAPHY<\/span><\/div>[vc_column_text css=””]Candela Sotos<\/strong> (Madrid, 1986) is an artist and filmmaker. She studied Audiovisual Communication in Madrid, completed a Master’s degree in Contemporary Art and Photography at Universit\u00e9 Paris VIII, and was part of the Artists Program at Universidad Torcuato Di Tella in Buenos Aires. She has exhibited her work at institutions and exhibition spaces such as CRA Matadero Madrid, Cineteca, C\u00edrculo de Bellas Artes, Centro Cultural de la Memoria Haroldo Conti (Buenos Aires), Fundaci\u00f3n Cerezales FCAYC, Centro Pompidou M\u00e1laga, Fundaci\u00f3n Sandretto Re Rebaudengo and DA2 Domus Artium, among others.<\/p>\n

She has taken part in research projects such as the First Latin American School on the Urban Anthropocene (ENS-Lyon \/ UNSAM-IDAES) and a research residency at Punto de Vista-Centro Huarte International Film Festival. Her first feature-length documentary, Yrup\u1ebd<\/em>, premiered at the Visions du R\u00e9el Festival (2025) and subsequently toured several festivals. The film won the DOC Spain Award at SEMINCI, the Jos\u00e9 Mar\u00eda Berzosa Award for Best Documentary at Cinespa\u00f1a, the Latexos Award at Novos Cinemas, the Best Film Award at M\u00e1rgenes (Secci\u00f3n Esc\u00e1ner), the Panorama Award at Docs Valencia and a Special Mention at Laceno d’Oro.<\/p>\n

She currently resides in Madrid, where she co-directs ‘lacalor’, a graphic arts workshop and independent art space.<\/p>\n

RRSS: ig @candelasotos
\nwww.candelasotos.com<\/a><\/p>\n

FILMOGRAPHY<\/strong>
\nYrup\u1ebd<\/em> (2025)
\nDanza III<\/em> (2024)[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section disable_element=”yes” full_width=”stretch_row” el_class=”mb-60″][vc_row][vc_column width=”1\/3″]

\"\"<\/div><\/figure>
No hay atajos<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 5\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Susana Llorente <\/b>(2004, Segovia)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Os segredos da laranxeira<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 4\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Andr\u00e9s \u00c1lvarez <\/b>(2002, Vigo)[\/vc_column_text][vc_column_text css=””]Grao en Comunicaci\u00f3n Audiovisual (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Escoitei voar un susurro<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 4\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]El\u00edas Gonz\u00e1lez <\/b>(2006, Ourense)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]
<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Pescadores de pulpo<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2024 | 11\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]\u00c1ngel Cea<\/b> (2003, Vigo)[\/vc_column_text][vc_column_text css=””]Grao en Comunicaci\u00f3n Audiovisual (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Eco<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 8\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Gema Vergara\u00a0<\/b> (2005, Vigo)[\/vc_column_text][vc_column_text css=””]Grao en Comunicaci\u00f3n Audiovisual (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Inercia<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2024 | 5\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Gema Rodr\u00edguez<\/b> (2004, Vigo)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]
<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Otro d\u00eda<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 5\u00b4 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Jos\u00e9 Garc\u00eda <\/b>(2005, Ponteareas)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
A viaxe de Elena<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 6\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Sara Ricoy <\/b>(1999, Pontevedra)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Incuria<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 6\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Ash Diz<\/b> (2001, Ourense)[\/vc_column_text][vc_column_text css=””]Grao en Comunicaci\u00f3n Audiovisual (UVigo).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]
<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Un retrato a trav\u00e9s de una alegor\u00eda<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 4\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Sof\u00eda Mel\u00f3n<\/b> (2000, Bos Aires)[\/vc_column_text][vc_column_text css=””]Grao en Belas Artes (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]
\"\"<\/div><\/figure>
Las Monta\u00f1as<\/span><\/div>[vc_column_text css=”” el_class=”font-euclidflex-regular pb-20″]Galicia, Espa\u00f1a | 2025 | 6\u2019 | ESTREA MUNDIAL[\/vc_column_text][vc_column_text css=”” el_class=”font-euclidflex-bold”]Trist\u00e1n Decabo <\/b>(2005, Ourense)[\/vc_column_text][vc_column_text css=””]Grao en Comunicaci\u00f3n Audiovisual (UVigo).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section full_width=”stretch_row” el_class=”mb-60″][vc_row full_width=”stretch_row_content_no_spaces” min_height=”700″ css=”.vc_custom_1790162897243{background-image: url(https:\/\/novoscinemas.com\/wp-content\/uploads\/2026\/09\/Foto-2025-Candela-Sotos_300-2.jpg?id=4784) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text css=”” el_class=”pl-40 pt-90 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Film workshop with Candela Sotos[\/vc_column_text][vc_column_text css=”” el_class=”mt-30 pl-40 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Filmes como marismas[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”mt-60 font-euclidflex-medium”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row][vc_row el_class=”mt-60″][vc_column width=”1\/2″ el_class=”border-r pr-20 pl-0″][vc_column_text css=””]Wetlands are transition zones between land and water. They don’t belong entirely to either…<\/p>\n","protected":false},"author":3,"featured_media":4785,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4818","page","type-page","status-publish","has-post-thumbnail","hentry","entry","has-media"],"acf":[],"yoast_head":"\nFILMES COMO MARISMAS - Novos Cinemas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/novoscinemas.com\/en\/filmes-como-marismas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FILMES COMO MARISMAS - Novos Cinemas\" \/>\n<meta property=\"og:description\" content=\"[vc_section full_width=”stretch_row” el_class=”mb-60″][vc_row full_width=”stretch_row_content_no_spaces” min_height=”700″ css=”.vc_custom_1790162897243{background-image: url(https:\/\/novoscinemas.com\/wp-content\/uploads\/2026\/09\/Foto-2025-Candela-Sotos_300-2.jpg?id=4784) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text css=”” el_class=”pl-40 pt-90 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Film workshop with Candela Sotos[\/vc_column_text][vc_column_text css=”” el_class=”mt-30 pl-40 font-euclidflex-medium” color=”#ffffff” font_size=”50px”]Filmes como marismas[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”mt-60 font-euclidflex-medium”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row][vc_row el_class=”mt-60″][vc_column width=”1\/2″ el_class=”border-r pr-20 pl-0″][vc_column_text css=””]Wetlands are transition zones between land and water. 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