{"id":1096,"date":"2024-11-27T09:07:44","date_gmt":"2024-11-27T08:07:44","guid":{"rendered":"https:\/\/novoscinemas.com\/sesion-01-2\/"},"modified":"2025-12-04T15:52:41","modified_gmt":"2025-12-04T14:52:41","slug":"sesion-01-2","status":"publish","type":"page","link":"https:\/\/novoscinemas.com\/es\/sesion-01-2\/","title":{"rendered":"Sesi\u00f3n 01"},"content":{"rendered":"
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\"\"<\/div><\/figure>[\/vc_column][\/vc_row][vc_row el_class=\u00bbpy-30 px-20 mt-60 border font-euclidflex-medium\u00bb][vc_column width=\u00bb1\/2″]
COMPRA AQU\u00cd TU ENTRADA PARA LA SESI\u00d3N 01<\/span><\/a><\/div>[\/vc_column][vc_column width=\u00bb1\/2″]
13 DIC | 17:00h<\/span><\/div>[\/vc_column][\/vc_row][vc_row column_spacing=\u00bb0px\u00bb el_class=\u00bbmt-30″][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]
T.R.A.P.<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Argentina\u00a0 | 2018 | 17\u00b4 | Color | DCP<\/span>[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]Tres medievales desembarcan en el r\u00edo de la plata y se sumergen en la selva ribere\u00f1a. Est\u00e1n buscando un lugar sagrado al que deben llegar antes del anochecer.<\/span><\/p>\n

Manque La Banca<\/b> (Bariloche, 1990) es cineasta, productor y m\u00fasico. Estudi\u00f3 Bellas Artes en la UNLP. Dirigi\u00f3 el cortometraje <\/span>T.R.A.P.<\/span><\/i> (2018), que tuvo su estreno en la Berlinale 2018. Su primer largometraje, <\/span>Esqu\u00ed<\/span><\/i> (2021), se estren\u00f3 en Berlinale Forum y obtuvo el premio Fipresci de la cr\u00edtica internacional.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

PARSI<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Argentina, Guinea Bissau, Su\u00edza | 2019 | 23\u00b4 | Color | DCP <\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN GALICIA[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]\u00abNo es\u00bb, de Mariano Blatt, es un poema acumulativo cuyo proceso de escritura constante podr\u00eda extenderse durante toda una vida. Su texto es capaz de cubrir cualquier cosa: im\u00e1genes, personas, paisajes, frases, ideas.<\/span><\/p>\n

Eduardo Williams <\/b>(1987, Argentina) estudi\u00f3 en la Universidad del Cine -Buenos Aires-, antes de incorporarse a Le Fresnoy – Studio national des arts contemporains\u00a0 -Francia-. Sus cortometrajes <\/span>Pude ver un puma<\/span><\/i> (2011) y <\/span>That I’m Falling?<\/span><\/i> (2013) se estrenaron en la Cin\u00e9fondation y en la Quincena de Realizadores del Festival de Cannes, seguidos de <\/span>T\u00f4i qu\u00ean r\u1ed3i! <\/span><\/i>(2014), que se estren\u00f3 en el FID de Marsella. Se organizaronn retrospectivas de sus cortometrajes en la Cin\u00e9math\u00e8que Fran\u00e7aise de (Par\u00eds) y en la Film Society of Lincoln Center (Nueva York). Su primer largometraje,<\/span> El auge del humano <\/span><\/i>(2016), gan\u00f3 el premio Filmmakers of the Present en la 69\u00aa edici\u00f3n del Festival de Cine de Locarno, exhibi\u00e9ndose, entre otros festivales, en el FIC de Toronto (Wavelengths), y en el Festival de Cine de Nueva York (Projections). En 2020 presenta <\/span>Parsi<\/span><\/i>, codirigido con Mariano Blatt, que se estrena en la Berlinale y en 2023, <\/span>presenta<\/span><\/i> El auge del humano 3 <\/span><\/i>en el Festival de Locarno.<\/span><\/p>\n

\u00a0<\/span>Mariano Blatt<\/b> (1983, Argentina) es poeta y editor literario. Mi juventud unida (Mansalva, 2015) recoge sus poemas de 2005 a 2015. Codirige Blatt & R\u00edos, una editorial independiente.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

Enfrentar animales salvajes<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Argentina\u00a0 | 2014 | 7\u00b4 | Color | DCP <\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]ESTRENO EN GALCIA<\/span>[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]Miss Chile \u201885 ha sido secuestrada por Tarz\u00e1n, rey de la jungla, y m\u00e1ximo exponente de la lucha\u00a0 antipinochetista -Frente Patri\u00f3tico Manuel Rodr\u00edguez-.<\/span><\/p>\n

Jer\u00f3nimo Quevedo <\/b>es cineasta y productor cinematogr\u00e1fico. Sus cortometrajes,\u00a0<\/span>La mujer perseguida <\/span><\/i>(2013)\u00a0y\u00a0<\/span>Enfrentar animales salvajes <\/span><\/i>(2014), se estrenaron en el FIC de San Sebasti\u00e1n y han sido seleccionados en m\u00e1s de cincuenta festivales alrededor del mundo. En 2015, funda junto a Victoria Marotta, Un puma (Buenos Aires), productora responsable de numerosos largometrajes y cortometrajes premiados y exhibidos en Berl\u00edn, Venecia, Locarno, Toronto, Nueva York, Marsella, Tokio, Mar del Plata, Tate Modern, Universidad de Harvard, Cinemateca de Par\u00eds, entre otros festivales, muestras, museos y universidades de todo el mundo. En 2023 estrenaron <\/span>Arturo a los 30 <\/span><\/i>(Forum 73\u00b0 Berlinale), <\/span>El auge del humano 3<\/span><\/i> (Concorzo Internazionale 76\u00b0 Locarno) y <\/span>El repartidor est\u00e1 en camino<\/span><\/i> (Premio Especial del Jurado en Visions du r\u00e9el). Han recibido el Pardo d\u2019orodel festival de Locarno(<\/span>El auge del humano<\/span><\/i>) y el Oso de Oro de la Berlinale\u00a0 (<\/span>Un movimiento extra\u00f1o, <\/span><\/i>Francisco Lezama). <\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

Siete a\u00f1os en Mayo<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Brasil, Argentina\u00a0 | 2019 | 40\u00b4 | Color | DCP<\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN GALICIA[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]Una noche de mayo, hace siete a\u00f1os, Rafael volv\u00eda a casa desde su trabajo. Alguien lo llam\u00f3 por su nombre mientras abr\u00eda la puerta. Al darse la vuelta, se encontr\u00f3 con varios desconocidos que lo estaban esperando. Transportado por esas personas, Rafael no regres\u00f3 a su casa. Desde ese momento vive como si aquella noche nunca hubiera terminado.<\/span><\/p>\n

Affonso Uchoa<\/b> es un cineasta afincado en Brasil. Su primera pel\u00edcula, <\/span>Mulher \u00e1 tarde<\/span><\/i> (2010), se proyect\u00f3 en la Mostra de Tiradentes, la Semana dos Realizadores, entre otros festivales de cine de Brasil. Tambi\u00e9n dirigi\u00f3 <\/span>A vizinhan\u00e7a do tigre <\/span><\/i>(2014), ganadora del premio mayor en la Mostra de Tiradentes y galardonada en otros festivales como Olhar de Cinema y Fronteira. La pel\u00edcula se exhibi\u00f3 en festivales como Hamburg Filmfest, Lussasdoc y EDOC. Es codirector de <\/span>Ar\u00e1bia<\/span><\/i> (2017), estrenada en la Tiger’s Competition del FIC de Rotterdam (2017) y premiada, entre otros, en Indielisboa y Golden Apricot. La pel\u00edcula recorri\u00f3 m\u00e1s de 60 festivales en <\/span>todo el mundo.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section el_class=\u00bbmb-30″][vc_row][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Direcci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Manque La Banca<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Gui\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manque La Banca<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Fotograf\u00eda[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Pablo Huerta (El lagarto)<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Montaje[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manque La Banca<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]M\u00fasica[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Antu La Banca<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Sonido[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Hern\u00e1n Biassotti<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Interpretaci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Teo Palvi, Julia Sbriller, Antu La Banca<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productores[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Tobias C\u00e9dola, Jer\u00f3nimo Quevedo, Victoria Marotta<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productora[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Un Puma[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Direcci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Eduardo<\/span> (Teddy) Williams, Mariano Blatt<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Poema[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Mariano Blatt<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Fotograf\u00eda[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Ivandro C\u00e1, Vadinho da Costa, Edmilson Dj\u00fa,\u00a0Alfa Kalido Bald\u00e9<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]M\u00fasica[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Eduardo (Teddy) Williams<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Sonido[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Sim\u00f3n Apostolou<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Interpretaci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Ivandro C\u00e1, Cris Gomes, Djibril Bald\u00e9, Leandro Pereira<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productores[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Nahuel P\u00e9rez Biscayart<\/span>, <\/b>Jer\u00f3nimo Quevedo, Victoria Marotta<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productora[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Un Puma[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Direcci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Jer\u00f3nimo Quevedo<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Gui\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Jer\u00f3nimo Quevedo<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]M\u00fasica[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Mart\u00edn Shanly<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Sonido[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Milton Rodr\u00edguez, Jer\u00f3nimo Quevedo<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productores[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Mariano Blanco<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Productora[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Universidad del Cine<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Direcci\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Affonso Uchoa<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Gui\u00f3n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Rafael dos Santos Rocha, Affonso Uch\u00f4a, Jo\u00e3o Dumans<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]M\u00fasica[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Jo\u00e3o Dumans<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Sonido[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Marcela Santos, Bruno 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