{"id":4231,"date":"2025-12-03T10:43:44","date_gmt":"2025-12-03T09:43:44","guid":{"rendered":"https:\/\/novoscinemas.com\/?page_id=4231"},"modified":"2025-12-07T10:43:32","modified_gmt":"2025-12-07T09:43:32","slug":"sesion-de-carta-blanca","status":"publish","type":"page","link":"https:\/\/novoscinemas.com\/es\/sesion-de-carta-blanca\/","title":{"rendered":"Sesi\u00f3n de Carta Blanca"},"content":{"rendered":"
[vc_section full_width=\u00bbstretch_row\u00bb][vc_row visibility=\u00bbhidden\u00bb][vc_column]
\"\"<\/div><\/figure>[\/vc_column][\/vc_row][vc_row el_class=\u00bbpy-30 px-20 mt-60 border font-euclidflex-medium\u00bb][vc_column width=\u00bb1\/2″]
CONSIGUE AQU\u00cd TU ENTRADA DE BALDE PARA LA SESI\u00d3N<\/span><\/a><\/div>[\/vc_column][vc_column width=\u00bb1\/2″]
14 DIC | 17:00h<\/span><\/div>[\/vc_column][\/vc_row][vc_row column_spacing=\u00bb0px\u00bb el_class=\u00bbmt-30″][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]
Los Dos Lados De La Tortuga<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Ecuador | 2023 | 11\u2019 | Color | DCP<\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN GALICIA[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]Un explorador del pasado (o del presente) llega por primera vez a las Islas Gal\u00e1pagos para tener un encuentro t\u00e1ctil con las rocas y las tortugas. En la oscuridad de los t\u00faneles volc\u00e1nicos, las bestias se transfiguran con total libertad. Las tortugas gigantes guardan los misterios del universo en las cicatrices de sus espaldas y, para su desgracia, tambi\u00e9n son un alimento muy codiciado por los marineros hambrientos que navegan sin rumbo por el oc\u00e9ano Pac\u00edfico.<\/span><\/p>\n

Oscar X. Illingworth<\/b> es un cineasta y editor ecuatoriano de no ficci\u00f3n. Su trabajo explora la memoria, la identidad y la naturaleza en forma de <\/span>collage<\/span><\/i> cinematogr\u00e1fico. Sus pel\u00edculas se han proyectado en festivales como: EDOC, IFFR, Festival de Cartagena, DOXA, Transcinema y C\u00e1mara L\u00facida. Edit\u00f3 la pel\u00edcula <\/span>Ozogoche<\/span><\/i>, que se estren\u00f3 en el IDFA 2023. Su primer largometraje, <\/span>Amago de un incendio<\/span><\/i>, actualmente en fase de desarrollo, aborda la relaci\u00f3n hist\u00f3rica entre su ciudad natal y el fuego.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

La Primera Imagen De Marte<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Argentina | 2023 | 19\u2019 | Color | DCP<\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN ESPA\u00d1A[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]El 20 de julio de 1976 lleg\u00f3 a la Tierra la primera imagen de Marte. Esa misma noche, en Jujuy, las luces del ingenio Ledesma se apagaron por completo: 400 personas fueron secuestradas por los militares, con el apoyo de la empresa azucarera. En junio de 2023, a casi 47 a\u00f1os del apag\u00f3n, se realiza el primer streaming desde Marte, mientras el pueblo juje\u00f1o enfrenta al gobierno en las calles.<\/span><\/p>\n

Manuel Embalse<\/b> (Buenos Aires, 1991). Miembro del colectivo Antes Muerto Cine y Cineclub Rata. Licenciado en Artes Audiovisuales (UNA). Arque\u00f3logo amateur y obrero polifac\u00e9tico del cine: dirige, escribe, asiste, produce, edita, sonido directo, es m\u00fasico y dise\u00f1ador de sonido. En 2020, estren\u00f3 su \u00f3pera prima <\/span>\u00bfQu\u00e9 hago en este mundo tan visual?<\/span><\/i>, producida y distribuida por Antes Muerto Cine, siendo parte de la edici\u00f3n 2020 de Novos Cinemas (Latexos). En octubre de 2023, estren\u00f3 en la secci\u00f3n Festifreak Expandido su \u00faltimo cortometraje, <\/span>La primera imagen de Marte<\/span><\/i> (menci\u00f3n especial Nuevos Lenguajes en Antofacine 2024, menci\u00f3n especial en Festihur 2024, menci\u00f3n especial en Luj\u00e1n en Foco 2024, menci\u00f3n especial en Chascom\u00fas 2024 y menci\u00f3n especial en Play Videoarte 2024). Actualmente, se encuentra distribuyendo su segundo largometraje <\/span>Las ruinas nuevas<\/span><\/i>, estrenada mundial en el MoMA\u2019s Doc Fortnight 2024.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

No More Room In Hell<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Estados Unidos | 2023 | 23\u2019 | Color | DCP<\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN ESPA\u00d1A[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]No More Room In Hell comenz\u00f3 con una primera investigaci\u00f3n realizada en el archivo del director de cine de terror George A. Romero (director de <\/span>La noche de los muertos vivientes<\/span><\/i>), ubicado en la Universidad de Pittsburgh. La pel\u00edcula, que ampl\u00eda la investigaci\u00f3n m\u00e1s all\u00e1 del archivo, examina las implicaciones del mundo zombi en relaci\u00f3n con la industria, el tecnocapitalismo tard\u00edo y las realidades apocal\u00edpticas. Esta obra cinematogr\u00e1fica experimental se inspira en los cl\u00e1sicos de culto de Romero, que dieron origen al zombi cinematogr\u00e1fico estadounidense en el contexto industrial del oeste de Pensilvania.<\/span><\/p>\n

Rebecca Shapass<\/b> es una artista que trabaja con im\u00e1genes en movimiento, fotograf\u00eda, instalaciones y texto. Sus proyectos, basados en la investigaci\u00f3n, exploran y complican la pr\u00e1ctica archiv\u00edstica y la forma documental. A partir de marcos hauntol\u00f3gicos, crea narrativas sensoriales no lineales que privilegian el afecto sobre la explicaci\u00f3n. Su trabajo se ha presentado internacionalmente en instituciones y festivales de cine como Mattress Factory (Pittsburgh, Pensilvania), Microscope Gallery (Nueva York), SKF\/Konstn\u00e4rshuset (Suecia), Antimatter [media art] (Canad\u00e1), Mimesis Documentary Festival (Boulder, Colorado) y Motel\/X Lisbon International Horror Festival.<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″]

Pictures Of A Negative Chair<\/span><\/div>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-bold pb-20″]Estados Unidos | 2025 | 9\u2019 | Color |\u00a0 DCP<\/span>[\/vc_column_text][vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium pb-20″]ESTRENO EN ESPA\u00d1A[\/vc_column_text]
\"\"<\/div><\/figure>[vc_column_text css=\u00bb\u00bb el_class=\u00bbfont-euclidflex-medium py-30″]El relato de un cient\u00edfico que intenta ense\u00f1ar a las m\u00e1quinas a inferir la profundidad a partir de im\u00e1genes bidimensionales. Una par\u00e1bola sobre un pr\u00edncipe que intenta resucitar a su amada fabricando una silla con las pertenencias de esta. Una pregunta sobre la necesidad de los seres humanos y las cosas que necesitan.<\/span><\/p>\n

Magdalena Bermudez<\/b> es una cineasta y educadora cuya pr\u00e1ctica examina las relaciones entrelazadas entre los seres humanos, los animales no humanos y las tecnolog\u00edas a trav\u00e9s de pel\u00edculas y v\u00eddeos ensay\u00edsticos. Su pr\u00e1ctica se basa en la investigaci\u00f3n y, a menudo, recontextualiza im\u00e1genes cient\u00edficas u operativas para cuestionar sus implicaciones formales y pol\u00edticas. Magda se licenci\u00f3 en el Hampshire College y obtuvo un m\u00e1ster en Artes Cinematogr\u00e1ficas en la Universidad de Wisconsin-Milwaukee. Su trabajo se ha proyectado internacionalmente en festivales de cine como el Ann Arbor FF, Antimatter [Media Art], el Mimesis Documentary Festival, el Kasseler DokFest, el Istanbul International Experimental FF y el Winnipeg Underground FF. Es profesora adjunta de Cine en la Universidad de Binghamton.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section el_class=\u00bbmb-30″][vc_row][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Direcci\u00f3n \/ Direction<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Oscar X. Illingworth<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Gui\u00f3n \/ Script[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Oscar X. Illingworth<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]Montaxe \/ Montaje \/ Edition[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Oscar X. Illingworth<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]M\u00fasica \/ Music[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Nicol\u00e1s Fern\u00e1ndez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Son \/ Sonido \/ Sound<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Oscar X. Illingworth, <\/span>Nicol\u00e1s Fern\u00e1ndez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Produtoras \/ Productoras \/ Production company<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Oscar X. Illingworth, Gabriela Mu\u00f1oz, Gossen Films<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Contacto \/ Contact<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]\u00d3scar X. Illingworth<\/b>\u00a0<\/span><\/p>\n

illingworthoscar@gmail.com<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Direcci\u00f3n \/ Direction<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Manuel Embalse<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Gui\u00f3n \/ Script<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manuel Embalse<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Fotograf\u00eda \/ Photography<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manuel Embalse y Tatiana Maz\u00fa Gonz\u00e1lez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Montaxe \/ Montaje \/ Edition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manuel Embalse<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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M\u00fasica \/ Music<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manuel Embalse y Alan Seru\u00e9<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Son \/ Sonido \/ Sound<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Manuel Embalse<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Produtoras \/ Productoras \/ Production company<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Antes Muerto Cine<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Contacto \/ Contact<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Antes Muerto Cine\u00a0<\/b><\/p>\n

Manuel Embalse | <\/span>manuelembalse@gmail<\/span><\/a>.com<\/span><\/a>\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Direcci\u00f3n \/ Direction<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Rebecca Shapass<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Gui\u00f3n \/ Script<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Rebecca Shapass<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Fotograf\u00eda \/ Photography<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Kevin Mathein<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Montaxe \/ Montaje \/ Edition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Rebecca Shapass<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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M\u00fasica \/ Music<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Saint Taint<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Son \/ Sonido \/ Sound<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Saint Taint<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Produtoras \/ Productoras \/ Production company<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Rebecca Shapass & Kevin Mathein. Supported by funding from Carnegie Mellon University\u2019s STUDIO for Creative Inquiry Frank-Ratchye Further Fund<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Contacto \/ Contact<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Rebecca Shapass<\/b><\/p>\n

rshapass@gmail.com<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/4″ el_class=\u00bbpr-40″][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Direcci\u00f3n \/ Direction<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Magdalena Bermudez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Fotograf\u00eda \/ Photography<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Magdalena Bermudez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l border-t\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Montaxe \/ Montaje \/ Edition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbmb-30″]Magdalena Bermudez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Son \/ Sonido \/ Sound<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Magdalena Bermudez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Produtoras \/ Productoras \/ Production company<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Magdalena Bermudez<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner el_class=\u00bbp-5 pr-20 border-b border-r border-l\u00bb][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb el_class=\u00bbtext-gray\u00bb]\n

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Contacto \/ Contact<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]Magdalena Bermudez<\/b><\/p>\n

magdalenabermudez<\/span><\/a>@protonmail.com<\/span><\/a><\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"

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