Isona Admetlla
Isona Admetla (1976, Barcelona, Spain) is a sociologist and cultural manager, teacher, consultant and audience designer. She lives in Berlin and she has been coordinating the Berlinale-World Cinema Fund for cinematography since 2009. As a freelancer, she designs and delivers tailor-made training and education seminars on financing, marketing, distribution, pitching and design of film audiences at universities and other institutions. She regularly participates in project selection committees, as a jury member or lecturer. She is a member of the selection committee of the MAFF (Málaga Festival Fund and Co-Production Event) and a project tutor. She has also been part of the selection committee of the ICAA Junta de Andalucía, FDC and Ventana Sur and is an expert evaluator of MediaSingle Project and Slate Funding, among others. She is also an EAVE Alumni of Marketing and Distribution and Audience Designer of the Torino Film Lab.
Jerónimo Quevedo
Jerónimo Quevedo is a filmmaker and film producer. His short films, La mujer perseguida (2013) and Enfrentar animales salvajes (2014), premiered at the San Sebastián International Film Festival and have been selected for more than fifty festivals around the world. In 2015, he founded Un puma (Buenos Aires) with Victoria Marotta, a production company responsible for numerous award-winning feature films and short films screened in Berlin, Venice, Locarno, Toronto, New York, Marseille, Tokyo, Mar del Plata, Tate Modern, Harvard University, La Cinémathèque Française, among other festivals, exhibitions, museums and universities around the world. In 2023, they released Arturo at 30 (73rd Forum Berlinale), El auge del humano 3 (Concorzo Internazionale 76th Locarno) and El repartidor está en camino (Special Jury Prize at Visions du réel). They have received the Pardo d’oro at the Locarno Festival (El auge del humano) and the Golden Bear at the Berlinale (Un movimiento extraño, Francisco Lezama).
Lorena Morin
Lorena Morín (1973, Las Palmas de Gran Canaria) resides in Berlin. She has been part of the team at the Las Palmas de Gran Canaria International Film Festival since 2001, where she carried out a large part of the main functions of the event, being a responsible party in the consolidation of the current identity and ideology of the Festival. Since 2017 she has directed MECAS, International Almost Made Film Market, a program dedicated to the industry within the Festival. She combines the coordination of MECAS with the international distribution of author films with the Croatian sales agency Split Screen. She has participated in the program for the development of co-productions between Europe and Latin America PUENTES of EAVE, has been a jury in the Catapulta laboratory of the Ficunam Film Festival (2020, Mexico DF), PushPlay of FICXPro in (2018, Gijón), Fidocs (2022, Santiago de Chile). She is a photographer and is preparing her second exhibition in Berlin and a book that will be published by the publishing house Comisura (ES) with her images and texts by the Latin American writer Mario Bellatín.
Paulo de Carvalho
Paulo de Carvalho is the artistic director of the CINELATINO Festival, Germany. He was a programmer for the Locarno Festival, DokLeipzig and a consultant for the Quinzaine de Cannes. Through Autentika Films (Berlin) he has made several co-productions.
Among others, Yo vi tres luces negras (Colombia, 2024), by Santiago Lozano; La plaga (Chile, 2025), by Cristóbal León and Joaquín Cociña; and Nunkui (Ecuador, 2025), by Verenice. He teaches at EICTV, Cuba – Workshop on Strategies for Project Development. He was an international consultant on the PROJECTA Selection Committee at Ventana Sur.
He participates in the organisation of the Brazil CineMundi Co-production Meeting in Belo Horizonte, Brazil. He was an artistic advisor for Open Doors – Locarno Film Festival. He is an advisor and consultant for projects at the Extremadura Film Residency, Spain.