Andrés González, graduated in Audiovisual Communication from the University of Alcalá, specialising in Film and Photography. After completing his degree, he began his professional career in the fields of film production and communication. He then went on to study a Master’s Degree in Film Criticism at ECAM, where he co-founded the Termita Collective, focused on film criticism, programming and creation. His interest in experimental and avant-garde cinema led him to continue his training through the Insubordinaciones Fílmicas programmes at LAV. He currently combines his work as a critic and curator with film programming in the commercial exhibition circuit. He is also a member of the editorial board of Mutaciones magazine, where he works as an editor.

Elena del Olmo Andrade is a contributor to Caimán Cuadernos de Cine magazine and the online media outlet Filmtopia. As a programmer, she was part of the eighth edition of CineZeta at the Cineteca de Madrid, the seventh edition of the Puwerty Festival at La Casa Encendida, and is currently part of the programming team for the Another Way Festival as a coordinator of the short film sections. With a degree in Bilingual Audiovisual Communication from the Carlos III University of Madrid and in Film Criticism from ECAM, she has been part of the Youth Jury at the 71st edition of the San Sebastián Film Festival and the 22nd edition of Documenta Madrid. With her work, specialising in horror, queer and independent cinema created by women, she aims to provide an analytical, thought-provoking, political and well-founded view of the film scene.

Nacho Álvarez, graduated in Art History from the Complutense University of Madrid with a specialisation in Contemporary Art and Cinema, and postgraduate in the Master’s Degree in Theory and Criticism of Culture from the Carlos III University of Madrid, dedicating his research projects to Terence Davies and Terrence Malick, respectively. After completing his Master’s Degree in Film Criticism at ECAM, he founded the Termita Collective (film programming, criticism and creation). His current work is divided between programming at festivals and institutions (Intersección and Cineteca), collaborating with the editorial team at SEMINCI (Valladolid International Film Festival) and film criticism in media outlets such as Caimán Cuadernos de Cine, El antepenúltimo mohicano and Revista Mutaciones (of which he is a member of the editorial board).