In a world where screens are multiplying, exposure means that we are not only seen but also devoured in diverse ways. Who is watching us? How are we perceived? Alevosía is a project that explores the collateral damage of fame, the pathology of fan phenomena, and the revictimisation provoked by the entertainment industry itself.

Uma (7) lives with her mother, Siona (37), in an old country house in Catalonia. Her closest companion is Tresca, a rescued sow who becomes an almost maternal figure to her. Through this bond, Uma learns to read the forest and perceive the changes taking place across the land: factory farms, exhausted workers and a silent violence that affects both the animals and the people she loves.

In 2035, Europe is broken by a migration crisis and the rise of the far right. Luisa (66) travels to the country where her daughter Claudia (43) lives. Both have been distant for years. What begins as a family visit takes a different turn when Luisa confesses that she has lost her home and has nowhere to return to. Forced to remain abroad, she must embark on a process of integration that brings her face to face with her own racial and cultural prejudices.

Ti, Jane is a feature film that reimagines Tarzan and Jane as a couple of sixty-year-olds who, after forty years together living almost isolated in their jungle, face a serious diagnosis and the imminence of death. The plot questions the hero and “good savage” myth to talk about old age, mutual dependence and gender roles at the end of life. The film is a combination of comedy and melancholy mixing humour and drama.